诗歌形式秩序的寻求——“新月诗派”新论(下)

In Search of the Order in Poetic Modes--A New Study of "the New Moon Verse School" (Ⅱ)

“新月派”与“新月诗派”不是同一个概念。新月诗派在“新诗”史中的独特意义,是“新诗”经过第一代诗人的语言与内容革命之后,第一次自觉地从诗的本体要求出发重新面对诗歌形式和语言要求,关心诗歌的特殊言说方式。他们是“新诗”史上的第二代诗人,追求现代经验的形式化,体现了从个人意识的觉醒到诗歌本体意识觉醒的重大转变,给“新诗”带来了诗情的内敛和艺术的价值。其历史贡献主要有三点:一、提出了现代汉语诗歌的建行建节原则;二、发现了现代汉语诗歌节奏的基本单位:“音组”;三、引进了有参照价值的西方诗体。

Poets of the 'New Moon School differ from those of New Moon Verse School ; the unique significance of the latter in the history of 'New Verse' lies in their first conscious concern for the special expressive modes from poetic ontology and in line with the demand of poetic modes and language after the revolution of the first-generation poets in poetic language and content. As the second-generation poets of the ' New Verse , they strive for the formalization of modern experience, thus having embodied the enormous change from the awakening of individual consciousness to that of poetic ontology consciousness and brought to 'New Verse' artistic value as well as the inner weakening of poetic sentiment. Their contributions center on proposing the principle of establishing lines and stanzas in modern Chinese verse, discovering the basic unit-'syllabic group'-in modern Chinese verse rhythm, and ushering in the western poetic forms.