摘要
无论在传统电影批评还是现代电影批评的领域,类型批评都是重要的不可或缺的批评方法之一。它的研究对象类型电影的产生是大工业生产和艺术审美合力的产物;类型电影的本质内涵是模式化,它的创新是在模式基础上的破格;类型批评的历史和类型电影的创作并不同步,在经历了现代批评理论的洗礼后,类型批评呈现出综合化的跨学科的研究趋向。
Not only traditional field but also modern field need genre film criticism, the research object of which is genre films derived from modern industrial production and mass aesthetic value of arts. In essence, genre films are formula films and their innovations base on their formulas. Genre criticism and genre film didnt come into being at the same time. Only after going through the baptism of modern film theories, genre criticism began to feature the comprehensive multi-subjected studies.
出处
《上海大学学报(社会科学版)》
CSSCI
2004年第2期84-87,共4页
Journal of Shanghai University(Social Sciences Edition)