摘要
新疆曲子剧作为新疆惟一用汉语方言演唱的地方戏曲剧种,在民间流传已100多年,至今仍在传唱。它之所以有如此顽强的生命力,就在于它具有广泛的民间性。它存在于观众之中,在观众中形成和发展,衍化过程都是以大众的审美需求为基轴的。随着信息时代的到来和农村城市进程的加快,新疆曲子艺术也遭到了日渐衰颓的命运。如何在新的文化生态环境中准确的为自己定位,使其以崭新的时代面貌重返民间,这对新疆曲子剧今后的发展是至关重要的。
Melody opera sung in Chinese has existed for a century among the people. It formed and developed among the audience with information era coming and urban ization of countryside quickened, it became declined. To make it accepted in new way is essential for its development.
出处
《新疆艺术学院学报》
2004年第1期44-47,共4页
Journal of Xinjiang Arts University