摘要
"还乡"母题渊源于原始蒙昧时代的生命体验和思考,及至《诗经》《楚辞》时代衍生出现实性以及个体生命"存在之思"的精神性"还乡"内容,成为后世文学的书写和想象的灵感源泉。在中国文学史上,《诗经》第一次集中书写了农耕文明背景上的"还乡",在回归家园以及对生命来源的感恩中,《诗经》流贯着人世之归的素朴世俗情怀。比较而言,诞生于巫风盛行楚地的《楚辞》,因其更多原始文明神秘性和宗教感的存续,诗人一方面行吟于人世之归的"还乡"之路,另一方面又走向超迈的神界之游。
The motif of 'Return to Hometown' stems from life experience and thoughts of uncivilized times. In the history of Chinese literature, the Book of Songs first focuses on 'Return to Hometown 'in the background of farming culture, which exhibits the earthy feelings of returning to the world. In comparison with it, Chuci expresses a tour of paradise on the way to hometown since there exists more mysteries and religious faiths in primitive Chu State.
出处
《南京师大学报（社会科学版）》
CSSCI
北大核心
2004年第2期113-118,共6页
Journal of Nanjing Normal University(Social Science Edition)
