摘要
《浣纱记》的作者梁辰鱼,其实也是一位很有影响的散曲作家。其艳词多寄寓不平之叹,曲唱方式继承魏良辅的依字声行腔的方法,使昆腔新声声韵谐和优美,长于抒情的风格得到进一步发展,以词为曲的语言风格提高了戏曲文体的地位,但过于绮丽也是其不足之处。总之,梁辰鱼的散曲创作为《浣纱记》积累了丰富的作曲经验,起了一个先导作用。
Liangchenyu,the author of the story of Washing Gauze, is an influential writer of sanqu.Full of high and graceful words,his work always contains discontentment.In the way of singing,he adopts weiliangfu's tonal system and further develops new Kun tune which is characteristic of lyricism and tuneful and beautiful melody.His language style of taking Ci as Qu has upgzaded the status of XiQu,but on the other hand,being too flowery has become his shortcoming.In a word,his literary creation has played a leading role and accumulated rich singing experience for the story of Washing Gauze.
出处
《江西师范大学学报(哲学社会科学版)》
2004年第1期66-69,共4页
Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)
关键词
寄寓式闽情
声韵谐和
以词为曲
entrusting
boudoir laments
tunful melody
taking Ci as Qu