论魏晋南北朝人物画的美学诉求

On the aesthetical requirement of figure paintings during the Wei-Jin period

魏晋南北朝人物画的兴起 ,是魏晋人物品藻风气影响下的产物 ,是魏晋人物美学的一个重要组成部分。“传神写照”的美学诉求和“以形写神’’的绘画技法 ,恰好构成了魏晋南北朝人物画的一个相对完整的认识论和方法论的理论体系。它是“形神”这一对哲学范畴在艺术领域实践经验的一次总结 ,在我国艺术史和美学史上有着重要意义。

s:The thriving of figure paintings during the Wei-Jin period resulted from the general atmosphere of the personage commenting during that period,which was an important part of the Wei-Jin character aesthetics.The aesthetical requirement of vivid touch in painting and lifelike-figure painting artistry contributed to the quite complete theory system of recognition and methodology in figure painting during the Wei-Jin period.It was a summarization Of the philosophic category Offigure and spirit in the experiment of the arts field,which was of great importance in the Chinese arts and aesthetics history.