摘要
20世纪下半叶以来,西方发达国家利用计算机与网络技术进行范围广泛的戏剧实验,由此孕育了MUD戏剧、MOO戏剧、饶舌虫戏剧、机器人戏剧和交互性戏剧等多种新的艺术类型。在上述实验中,数码傀儡的研制是关键环节之一。开发数码傀儡的三种基本思路的代表是:古典人工智能、人工生命和可信智能体。由卡耐基·梅隆大学Oz项目组和斯坦福大学"虚拟戏剧"项目组所进行的研究融艺术与科技于一炉,具有良好的前景。
Since the second half of the 20th century, the western developed country has utilized the computer and network technology to carry on the drama experiment in extensive range and MUD drama, MOO drama, too talkative worm's drama, robot drama and interactive drama etc. came into existence. In above-mentioned experiments, the research of the digital puppet is one of the key links. Three kinds of basic thought of developing the digital puppet are: Classical artificial intelligence, artificial life and believable intelligent body. The research carried on by Oz project team of Carnegie Mellon university and 'fictitious drama' project team of Stanford University melts art and science and technology in a stove, and it has a good prospect.
出处
《河南科技大学学报（社会科学版）》
2004年第1期72-77,共6页
Journal of Henan University of Science & Technology(Social science)
关键词
数码傀儡
信息科技
戏剧实验
人工智能
digital puppet
information technology
drama experiment
artificial intelligence
