摘要
中国历史上的文人画兴起于宋元之间,那是对儒家思想控制下的写实为主体的传统绘画的背叛和革新。老庄哲学影响下的两晋绘画突出了虚静和空灵之美,南朝佛教禅宗传入并介入绘画,使失意的士大夫和落魄文人思想意识和艺术表现上有了进一步的超脱。王维成为崇尚自然和写意的文人画之事实上的领先人。
Metaphorical drawings by literati in China originates in the Song and Yuan Dynasties,which was the rebellion and innovation of traditional drawings characterized by vehicles under the influence of the Confucianists.In the Nan Dynasty Chan's entry into makes those officials and literati who fell out of favor get the chance to let out their angry feelings.Wang Wei took the lead in employing natural things metapho rically.
出处
《娄底师专学报》
2004年第1期57-59,110,共4页
Journal of Loudi Teachers College
关键词
老庄哲学
禅宗
文人画
水墨
Old Zhang's philosophy
chan
drawings by literati
ink and wash