摘要
陈振孙思想正统,崇尚儒雅,既从政治教化的高度用“发乎情,止乎礼义”的儒家思想规范词的内容,又从审美的角度出发以“高丽”之格绳衡词的形式,对内容和形式采取不同标准区别对待。与此相适应,在一个层面上,陈振孙论词必论其人,兼重人品词品,从创作主体一侧强化对词作内容的要求;在另一个层面上,通过品题中蕴含的若干具有普遍意义的创作主张,将“高丽”之艺术标准从藻饰、意境、音律等方面具体化。陈振孙评词特重宏观与整体把握,不因人废词、重比较分类,凸现出艺术鉴赏的辩证法则和一定的方法论意义。
Chen Zhensun who had orthodox idea and upheld the Confucian elegance, standadiced both the content of Ci from the height of political teaching with Confucian thought and the form from the angle of aesthetic with 'lofty beauty', discriminated the content and form with different criterion. To be suited to above, on one level, Chen Zhensun discounsed Ci from its author, had both on personality of the author and the character of Ci, strengthened the require of Ci's content from the creative subject; On the other level, through the creative advocation contained in the appraise, specified the artistic criterion 'lofty beauty' from ornate diction, artistic conception?temperament. Chen Zhensun's discussing Ci laid strss on merostructure and companism, belittled Ci not due to its author, reflect the dialectial rule of artistic appreciation and methodology significance.
出处
《湖北大学学报(哲学社会科学版)》
北大核心
2004年第2期208-211,共4页
Journal of Hubei University(Philosophy and Social Science)
关键词
陈振孙
直斋书录解题
词学思想
儒雅
高丽
Chen Zhensun
Zhizhaishulujieti
Ci ideology
Confucian-elegance
Lofty beauty