摘要
妇女形象在关汉卿杂剧中占有突出的地位 ,在现存的十七种杂剧中 ,有十二种是以妇女作为剧中的主要人物。这些妇女形象虽然都有强烈的反抗精神 ,但各自所属的阶层、出身、遭际多有不同 ,决定了她们的反抗必然不是针对同一种社会罪恶 ,而是分别指向那个特定时代的各种主要矛盾与罪恶 ,并且这些形象又合起来结成一个形象整体 ,构成对整个反动制度的揭露与批判。
The female image holds the prominent status in Guan han-qing's drama.In 17 kinds of drama saved, some 12 kinds of female images are the center main character. These female image however all has the fierce rebellious spirit, because social stratum, the family background, suffers has the difference much, they must revolt the different kinds of society crime inevitably, and an image gathered becomes a vivid whole to disclose and criticise the entire counter-system exposition and the critique.
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2004年第2期64-66,共3页
Journal of Qiqihar University(Philosophy & Social Science Edition)