摘要
中国现代新诗史上 ,朗诵诗一直是一个非常重要的领域。在二十世纪三四十年代 ,新诗大众化诗学将朗诵诗作为新诗发展最重要的方向加以提倡 ,并逐步泛化为一种主要的新诗艺术的衡量标准。一些纯诗诗学的追求者如沈从文、梁宗岱等则对此提出质疑和不同意见。围绕着朗诵诗展开的诗学探求和论争 ,反映了两种诗学的长期对立与竞争、交错与纠缠 。
Poetry designed for reading has taken an important role in the history of new po etry in modern China. It was advocated between the 1920s and '40s as an importan t line of development in poetics, that attempted to popularize the new poetry. W hen it further developed into a dominant artistic criterion for new poetry in ge neral, it was questioned by advocates for poetics of pure poetry, such as Shen C ongwen and Liang Zongdai. Discussions and debates centering round poetry for rea ding reflect the prolonged conflicts, competition and entanglement between diffe rent poetics, as well as their advocates' varied understanding and contemplation of the future of Chinese new poetry.
出处
《中国社会科学》
CSSCI
北大核心
2003年第5期153-165,共13页
Social Sciences in China
