摘要
情节在《水浒传》的叙事中占有重要位置。前代批评家们对其情节的组合已有探讨 ,但多限于“文法”层面。从叙事学的角度看 ,这些组合规律还有其功能性的意义即形成线性叙事。
The plot plays the main role in narration of The Water Margin,the historical critics have explored some subject on it,such as the rhythms of connected plots,but all they did is limit to syntax and rhetoric,those rhythms are more important indeed,besides connection,in sight of narratology,they can form linear narration too.
出处
《济宁师范专科学校学报》
2004年第1期78-81,共4页
Journal of Jining Teachers College