摘要
形式美在表现上的相对独立性和在根源上的实践主体性是形式美中的深层次矛盾。形式美的独立性是相对的,在这种相对独立的表现中包含着善,包含着物质实践和主体发展的丰富历史内容。康德的形式美观点的缺陷正是在于重视了形式美的表现,忽略了形式美的实践和主体根源。
The superficial relative independence and essential practical subjectivity constitute the pair of deep-seat-ed contradictions in form aesthetics. Its independence is relative and kindness, a lot of historical contents such as materi-al practice and subject development are concealed behind the appearance. The deficiency in Kant' s opinion on form aes-thetics is that he emphasized the independence but ignored the practice and subjective origin.
出处
《阴山学刊》
2004年第1期16-18,共3页
Yinshan Academic Journal
关键词
形式美
独立性
实践
主体
form aesthetics independence practice subject