摘要
唐诗与唐舞都是中国诗歌与中国舞蹈发展的高峰。由于舞蹈的非再现性的突出,使舞者只能从健与软即阳刚与阴柔的风格高度出发,对于通过舞蹈形态的特征所表现的心理内容加以把握。唐代咏舞诗亦是从这一角度把握上述特征的。由于舞蹈与诗歌在表现方面的天然联系,两者的联姻就相得益彰了。白描、比喻和效应是唐诗咏舞诗的重要表现手段。
Both the Chinese poetry and dancing reached their zenith in Tang Dynasty. Owing to the non-repreductive character of dancing, the dancers could only express the psychological contents through the masculine and feminine styles. The poetry descriping dancing in Tang Dynasty had the same character. Since dancing and poetry have a natural link, the combination of the two can bring out the best of each other. Clean writing、metaphor and effect were the main methods for the combination of Tang poetry and dancing.
出处
《盐城工学院学报(社会科学版)》
2004年第1期36-39,共4页
Journal of Yancheng Institute of Technology(Social Science Edition)
关键词
唐代
咏舞诗
舞蹈
联姻
审美功能
表现手法
Tang Dynasty's dancing
Tang Dynasty's poetry
Tang poetry discribing dancing
combination
express