二程的诗歌创作轨迹与交际领域

The Route of two Chengs Poetic Creation and Communicative Fields

程颢秉承了周敦颐吟风弄月的意趣 ,注重对宇宙人生的诗意观照 ,其诗歌表现了超越的本体体验 ,反映了诗人主体的开阔心胸和自在的生存状态 ,以及曲肱饮水而乐在其中的超迈气象。程颐诗中表现出的披坚执锐的气势与程颢诗歌从容和平的风格迥然不同 ,而这种诗风的分野根源于二人在精神气质和学术性格上的差异。二程的交际领域有三 :官场、学界、诗坛。由于古代官员较强的流动性和北宋党争的复杂性 ,二程很难在官场获得群体内的认同感和归属感。他们的诗歌唱酬主要在以洛阳文人群体为主体的交游圈中进行。以欧阳修、苏轼为核心的两大文人集团所创作的诗歌形成了北宋诗史的主流 ,程颢与这两大文人集团的关系相当生疏 。

Chenghao's poems, adopting Zhou Dunyi's singing of the moon and the wind, emphasizing the poetic view of life , reflects his own experiences, broad-mindedness ,being care-free and enjoying himself. The sharp momentum in Chengyi's poetry is different from the peacefulness in that of Chenghao, which is caused by their spirits and learning styles . Official , academic and poetic circles are two Cheng's communication fields. Because of the mobility of the officials and the complexity of the parties' conflicts in Northern Dynasty , these two Chengs were not well accepted in official circle .Their poetry creation took place among the scholars in Luoyang City .Because of his different attitudes to life and different academic style Chenghao was a stranger to the two scholar groups ,the main poetic stream, led by Ou yangxiu and Sushi.