摘要
人的美感性生存状态是人的存在的理想状态,文学就是对人的美感性生存状态的语言表达或者说语言展现。在发现中创造,在创造中发现,构成了人的美感性生存状态,而文学的存在与人的存在有同构关系。对此存在的关注与显现,是文学之所以为文学的关键所在,也是文学意义的根源所在。只有从人的全面性存在出发,着眼于文学与人的美感性存在的内在关系,才有可能真正认识和把握文学的全面而丰富的意义,才有可能在统一的审美人类学基础上认识和把握文学所具有的认知性意义、情感性意义、意向性意义和娱乐性意义的内在关系。
Human existence with aesthetic perception is an idealistic existence for humans. Literature is to unfold human existence with aesthetic perception by language or speech. Invention through discovery and vice versa give rise to human existence with aesthetic perception while the existence of Literature and human existence constitute each other. The concern over and the unfolding of this become the decisive factor of Literature and the resources of the significance of Literature. Only through overall human perspectives and paying attention to the inherent relationships between Literature and human existence with aesthetic perception is it possible to really recognize and understand the complete and rich significance of Literature and the inherent relationships of meanings of cognition, sentiment, intention and recreation of Literature on the basis of unification of aesthetic anthropology.
出处
《湖北师范学院学报(哲学社会科学版)》
2003年第3期30-34,共5页
Journal of Hubei Normal University(Philosophy and Social Science)
关键词
人
存在
美感性
文学
意义
展现
human
aesthetic perception
literature
significance
unfold