摘要
马克思在《1844年经济学哲学手稿》中,提出“劳动创造了美”,“人也按照美的规律来建造”和“人对人的本质和人的生命、对象性的人和人的作品的感性的占有”,深入地阐明了人的改造世界的实践活动也是一种审美的、带有诗意的活动,并依此预示了现代以后美学研究从抽象议论的“美是什么”到感性描述的“审美如何”的转换。
Marx put formard in his 1844Economics andPhilosophy Manuscripts that labour created aesthetice andhuman beings should be built in accordance with theaesthetic principles, and that human beings took perceptivepossession of human nature, life, object being and theworks of people. By way of this, Marx expounded that humanactivity of practice in transforming the world was also anaesthetic and poetic activity. Marx foretold thetransformation of the future aesthetic research form theabstract discussion of 'what is aesthetice?'to theperceptive description of'rlow is the aesthetic conceptionconducted?
出处
《贵州师范大学学报(社会科学版)》
2003年第5期16-20,共5页
Journal of Guizhou Normal University(Social Sciences)
关键词
实践
审美
感性
人性
人的本质
practice
aesthetic
conception
perception
humannature and human innate character