“重写文学史”:一个没有终结的现代命题

Rewriting Literary History" :A Modern Proposition Without termination

“重写文学史”口号在80年代末提出后,曾极大地刺激了中国现当代文学研究的学术增长,其学术价值不可低估。新时期文学史重写的最显著实绩表现在鲁迅研究的突破上。而出现在口号前的两种新的文学史观,既为口号的提出和讨论的深入作了理论铺垫,又随着学术界对“重写”认识的不断深化而产生更大的学术影响,可以说是新时期现当代文学“重写文学史”呼声中最大的理论收获。从学理上说,“重写文学史”是一个永无终结的现代命题,这使它至今仍有着重要的理论意义。

The view of 'rewriting literary history' proposed in the late 1980s once stimulated the development of modern and con-temporary Chinese literary study because of its academic value. So far, the most prominent achievement in the field is reflected from the breakthrough of research on Lu Xun. However, another two previous views not only set off the later proposition, but also cause greater influence with the deepening cognition of academia, which can be regarded as the top theoretical rewards for the cry of 'rewriting literary history'. Moreover, intheory, 'rewriting literary history ' is a modern proposition without termination, enjo-ying theoretical importance to date.