从黑格尔的悲剧范式看悲剧的审美实质

See the Esthetic Substance of Tragedy from the Tragic Paradigm of Hegel

黑格尔对悲剧世界的终极力量作出纯理性的说明,建立了悲剧“伦理实体自我分裂再到重新和解”的范式。但是面对20世纪以来现代社会出现的越来越纷繁复杂的生存状况,从悲剧与人的关系入手,从切身的审美体验和审美实践出发研究现代悲剧时,这个理论明显缺乏说服力和应用性。因此,有必要从人的生命发展需要角度出发对悲剧的审美实质进行重新思考。

Hegel made the pure and rational elucidation to the ultimate end power of the tragedy world, and established the para-digm that the Ethics entity abrupt by itself at first and reach agreement again then' But when we face the more and more compli-cate survival condition which appeared in modern society from 20th century, study the modern tragedy from the personai experi-ence and practice of appreciate beauty realistically, it is obviously that this theory lack the conviction and function. Therefore, it is necessary to consider the substance of tragedy from the direction of the person's life demand.