摘要
2 0世纪末的二十余年 ,中国人的意识形态发生了前所未有的变化 ,中国山水画界面对日益纷繁的文化信息资源 ,吸纳、消解、创新成了画家们的共识。吴冠中、刘国松、张仃、贾又福等四位山水画家在各自艺术道路上的探索与建树 ,为 2 1世纪的中国山水画界引出了新的话题与思考。
During the last twentieth of the 20th century, the Chinese ideology has changed greatly. Facing the increasing more complicated culture and information source in Chinese mountains-and-waters paintings, the painters' common sense is to absorb, digest and bring forth new ideas. WU Guan-zhong, LIU Guo-song, ZHANG Ting, JIA You-fu-the four mountains-and-waters painting painter's exploration and achievement in their respective artistic field has brought about new trend and idea for the Chinese mountains-and-waters painting field in the 21st century.
出处
《河南教育学院学报(哲学社会科学版)》
2003年第3期111-114,共4页
Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)
关键词
吴冠中
刘国松
张仃
贾又福
山水画
艺术风格
WU Guan-zhong
LIU Guo-song
ZHANG Ting
JIA You-fu
the mountains-and-waters painting