明清鉴藏家对女画家艺术的鉴赏

An Appraisal of Ming-Qing Connoisseurship of Female Painters

晚明清初江浙一带一些持才善绘的女性进入了当时文人、书画史家和鉴藏家的视野,在同时期的诗文、笔记或书画著录中留下了有关其事略的直接记述,如作品的递藏、题跋或品评等情况。针对这一美术史现象,本文拟从女画家作品进入当时鉴藏领域的方式和收藏家对女画家艺术的品评两方面进行初步的探讨。

In the late Ming and early Qing period a number of gifted female painters from the Jiangsu-Zbejiang region entered the purview of literati, historians of calligraphy and painting and connoisseurs, and in the writings of these men there is a very immediate record of the careers of these female artists, documenting the collections through which their paintings passed, the calligraphic inscriptions on their works and an evaluation of their creative works. Focusing on this unique phenomenon in the art history of this period, the author presents preliminary research on the mode in which the works of these late Ming-early Qing female artists were assessed and collected in their own time and the critics' evaluations of their works.