生成的镜像:港剧与大陆观众

A Generative Mirror Image: Hong Kong Plays and the Mainland Audience

香港电视剧已经成为当今大陆电视节目的重要内容,其中主要人物类型可以分为三类近距离的草根民俗题材、远距离的豪门恩怨题材、介乎其间的中产阶层题材。由于大陆和香港之间社会制度不同,经济发展水平有异,文化背景也有很大差异,因此这些引进作品所描写的生活与大陆有较大反差;可是,就在这种具有反差的状况下,大陆播放的香港电视剧仍然取得了镜像效果。研究这些香港电视剧的内涵、接受效果等,应该成为当前批评的重要关注点之一。

Hong Kong plays have come into the mainland TV program as an important part nowadays, whose characters are classified as the following three: folk subject, subject on the past kindness and grudges in powerful and influential families, and the subject of middle-class stratus between the previous. The different systems of the mainland and Hong Kong lead to different social development levels and cultural backgrounds. Thus, the life presented in these imported works is in a striking contrast with that of the mainland. Anyhow, under the circumstance of the contrast, Hong Kong TV plays shown on the inner land have gained an effect of a mirror image. A study of their connotation and the favorite effect of acceptance of the mainland audiences should be where the present criticism′s attention goes to.