摘要
王夫之的意象论建立在“以天为主”的艺术规律上,无论炼字、谋句及其与谋篇的统一方面,都追求“现量”,旨在以正统的儒家诗教重振中夏文明,是规律性和目的性的统一。
Based on the Chinese artistic tradition of nature, Wang Fu-zhi embodied his imagery theory by means of diction, syntax and text coherence. With a combination of principle and purpose, he tried to revive China’s civilization through the orthodox Confucian essence.
出处
《湖南城市学院学报》
2004年第2期39-42,共4页
Journal of Hunan City Univeristy
关键词
王夫之
意象论
以天为主
现量
儒家诗教
价值取向
Wang Fu-zhi
imagery theory
nature-oriented
consciousness
Confucian essence
value
