摘要
古典精神与现代特质,共存于卞之琳1930年-1937年的诗歌创作中。古典作为其内核,或隐或现,一以贯之;现代则在观念层面,停留纠缠。两者对立统一,并最终以古典的突围结束了这一交锋。
Modern particularity and classical spirit are coexisted in Bian Zhi -lin's poesy which was produced from 1930 to 1937 and named prophase poesy. As the kernel, the classical spirit lived in his prophase poesy all the time; altho ugh sometimes it was obscure.on the contrary,the modern particularity just lived in the exterior of his ideas. They opposed or unified; at last, the classical s pirit broke through the complicated status and ended it.
出处
《重庆职业技术学院学报》
2004年第1期115-116,共2页
Journal of Chongqing Vocational& Technical Institute