摘要
宋代词学批评中的苏轼论摆幅较大,特征各异:北宋,苏轼论是非多誉少,执着传统词体观念;南宋,苏轼论则是褒多贬少,立足词作含寓的现实内涵;延宕到南宋末,又表现为抑扬相共,已开始从词体审美表现形式与社会现实生活的广泛联系立论。这实际上已超出了单个词人词论的意义,显露出后世词学理论发展中词派梳辨之端倪。
The controversy about Su Shi's ci-poems in Song dynasty's potical criticism, its extent of pendulum is great, its character is different: about Su Shi's ci-poems, in North-Song Dynasty, the negative opinions is more than positive opinions, the critics hold to the traditional concepts of ci-poems; in South-Song Dynasty, the positive opinions is more than negative opinions, the critics base on the realistic contents of ci-poems; till the end of South-Song, the negative and positive opinions are balanced, the critics ties the ci-poems' aesthetic forms with the social activities to comment on Su Shi's ci-poems. All these, in reality, has exceeded the meaning of the criticism of single ci-poet, shows the beginning of dividing ci-poems'schools.
出处
《喀什师范学院学报》
2004年第2期83-86,共4页
Journal of Kashgar Teachers College
关键词
宋代
词学批评
苏轼论
抑与扬
词派梳辨
Song Dynasty
Potical criticism
The controversy about Su Shi's ci-poems
The negative and positive opinions
Dividing ci-poems'schools