摘要
伊塞尔的"空白"论旨在研究读者在阅读过程中的主动性,罗伯·格里耶的《橡皮》中随处可见的"空白"让读者在阅读过程中的参与性得到充分体现。两者在理论与实践中的完美统一使得长期以来西方推崇的"作者中心"、"作品中心"转向了"读者中心",因此通过本文的论述得出他们的理论和创作就是后现代主义文学的特点,也是后现代主义文学发展的必然产物。
Iser's 'Absence' intends to study the readers' initiative when they are reading, in Robbe Grillet's Les Gommes, we could find there are many 'absence' which makes readers' participation embodied fully during the process of their reading. This perfect unity in theory and practice leads to 'Reader centered' from 'Author Centered' and 'Works Centered' which the western world worshipped for a long time. So in this paper we could get that their theory and creation are all the characteristics of Postmodernism Literature, and this is the inevitable product of Postmodernism Literature development too.
出处
《贵州大学学报(社会科学版)》
2004年第1期106-110,共5页
Journal of Guizhou University(Social Sciences)
关键词
空白
读者
参与
后现代
Absence
readers' participation
Postmodernism