从银幕到文本解构《欲望号街车》的两重性

De-structure Dualism in A Streetcar Named Desire from Screen to Text

《欲望号街车》的两个电影版本对原著的创作内涵做了截然不同的诠释。从比较两个电影版本改编的逻辑性入手,应用接受美学理论、知觉概念,对文本的叙述结构、人物性格及心理特征进行了分析,从而解构作品的两重性,从一个新的视点展示了成就这部伟大作品的原因。

As the two cinematic versions of A Streetcar Named Desire indicate, readers find themselves inevitably captured in a dilemma in interpreting the profound meaning the writer tries to convey. This paper applies aesthetic response and concept of perception to de-structure dualism in the narrative structure, characterization and psychology of the characters. Thereby its artistic accomplishment is manifested in a new light.