摘要
艺术美与生活美的关系是美学史上的千古之谜,也是文艺创作和鉴赏实践中绕不开的难题。艺术美与生活美就其主要性质形态、生成构成、功能目的等方面是不同的,二者不能随意比较;而就其皆为"美"而言,又是可以比较的,这就是毛泽东所作出的"三个最"、"一个唯一"和"六个更"的著名结论和命题;其次,毛泽东在"讲话"中还精辟地分析了艺术美与生活美关系的辩证法,即二者相互依存、相互需要以及相互创造转化,充分体现了生活美对艺术美的基础支配地位和艺术美对生活美的超越和改造的审美创造和审美实践功能。
The relationship between the artistic beauty and the life beauty is a myth and a difficult problem for artistic creation and appreciation since the ancient times. This paper attempts to interpret it based on Mao Zedong's Speech Delivered at Yen'an Art Talk. Regarding the features, constituents and functions, the artistic beauty and the life beauty are different and can't be compared. Regarding the 'beauty', the two beauties can be compared, i.e. Mao Zedong's famous conclusions 'Three Utmost', 'One Single' and 'Six Furthers'. Meanwhile, Mao Zedong in his speech also discusses the dialectics thoroughly.
出处
《湖南科技大学学报（社会科学版）》
2004年第2期46-53,共8页
Journal of Hunan University of Science and Technology(Social Science Edition)
