摘要
《桃花扇》结尾写侯李二人双双入道,很多人对这一悲剧结局的合理性表示怀疑,甚至加以否定,这主要是因为他们对这一悲剧结局的内涵没有正确的认识。其实,"入道"并非消极逃避,也非"真解脱",而是一种抗争。从全剧的主题、人物性格、艺术创作等角度分析,这种安排都具有合理性,另外,它还具有极大的文化意义。
In Peach Blossom Fan, Hou and Li went into the Taoism in the end.Many people take a sceptical attitude towards the reasonability of the tragic end,even disapprove it.The main reason is that they do not understand the spirit of the tragic end properly. In fact,goint into the Taoism is not to negatively 'escape' and really 'release', but strongly 'resist'.In terms of the theme, characters'disposition,art production and so on,the end is perfectly logical and reasonable, and it has great cultural significance.
出处
《衡水师专学报》
2004年第1期39-42,共4页
Journal of Hengshui Normal College
