论元四家的逸格山水

On the Yige Chinese Landscapes of the Four Painting Masters of Yuan Dynasty

通过对“逸”格的诠释 ,从元四家的隐逸心态、元画的隐逸题材、元画的无我画境以及元四家对写意精神与客观山水形态的矛盾统一诸方面来阐释元四家的逸格山水精神 ,指出由于元代文人的隐逸心态和对“逸”的整体性要求而使山水画的山林精神和写意精神得到空前的发挥 ,抒情写意成为元画的标志性精神。元画对写意精神的推崇和客观山水形态的“表现性写实”的矛盾统一 ,正深深体现了林泉高致在元画中被真正阐发。

From the interpretation of Yige (a state of privacy and reclusion), we can see the mentality of privacy of the four painting masters of Yuan Dynasty, the privacy subject matter of the Yuan paintings, and the ’without me’ picturesque scene and their spirit of the freehand brushwork in painting and the configuration of objective landscape. And we can explain the landscape spirits of Yige and point out the emotional symbolic spirit of the Yuan paintings in which the Yuan literati require the mentality of privacy and the Yi. It makes the mountain-forest spirit and the freehand brushwork spirit greatly developed and promoted. The contradictory unification of the advocating of the freehand brushwork spirit and the realistic representation has deeply embodied the real exertion of the trees and waterfalls higher in the mountains in the Yuan paintings.