摘要
音乐符号与言语声态之间存在着某种抽象关系。音乐符号,在某种程度上是在言的感叹、诗的嗟叹、歌的咏唱的基础上逐渐抽象独立出来的。音响符号的"非语义性"、"非人声性",以及形式的上高度理性化、明晰化,内容上的高度感性化、模糊化的特征,反映了音乐音响符号与言语声态符号剥离后呈现出的高度纯化的符号特性。
relation between musical symbols and speech sound.Musical symbol, in a way, is abstracted gradually from the plain of speech and poems. On the one hand, its form is rational and transparent; on the other hand, its meaning is complicated and blurry, which reflect its “non-speech meaning” and “non-human voice” features in the musical symbol, after it is abstracted from the plaint of speech and poesy.
出处
《华南师范大学学报(社会科学版)》
CSSCI
2004年第2期121-126,132,共7页
Journal of South China Normal University:Social Science Edition
关键词
言语声态
音乐符号
抽象
声乐
器乐
speech sound
musical symbol
abstract
vocal music
instrumental music