魔幻现实主义与鲁迅的“荒诞”手法

Sui-realism and Luxun's “Absurd” Technique

鲁迅运用荒诞性的手法进行创作 ,可以说是魔幻现实主义在中国早期的萌芽。首先提出了“魔幻现实主义”这一文学手法 ,通过对鲁迅的“荒诞”手法特点的分析 ,得出其与魔幻现实主义者之间的联系 ,并通过这种联系 ,进而总结了“荒诞”手法的意义。在探究了“荒诞”渗透出来的中国传统文化的特色之后 ,更意在揭示鲁迅创作中的荒诞感及荒诞手法与魔幻现实主义的联系 ,以期有助于更好地了解鲁迅的创作手法、文学观念 ,更深地解读其作品。

Luxun's employment of 'absurd' technique into his composition can be regarded as a beginning of 'absurd' study in early China. This paper is to put forward the technique 'sui-realism' first, and then through the analysis of Luxun's 'absurd' technique to find the relationship between sui-realism and the school of absurd, by which the significance of 'absurd' technique is to be generalized. This paper aims to explore the characteristics of Chinese traditional culture reflected by 'absurd'; in addition, it aims to reveal the sense of 'absurd' in Luxun's composition and its relation to sui-realism to help better understand Luxun's composition techniques and his concept about literature so as to comprehend his works.