摘要
李清照在凄凉的晚境中,在痛苦不堪的心境中,以手中的笔来诉"愁"、遣"愁"。一首《声声慢》诉说出词人受尽磨难与内心煎熬的凄惨心情,倾吐着词人哀愁凄苦、孤寂悲愤的内心感受。全篇除了结句之"愁"点明题旨外,满纸绕"愁"、写"愁"而不言"愁",其中蕴涵着的是"悲"、是"怨"、是"愤"、是"恨",谁又能解其中味。意境不仅富于意味,而且让人咀嚼不尽,意蕴尤深,在更深刻意义上表现了"弦泉幽咽"的意境之美,可称得上是苦难时代悲苦心境的绝唱。
Li Qingzhao , being suffering in her mood , said and let off her worry by hand in her old age. The Sheng Sheng Man related her suffering and lonely, and poured the sadness except the sadness in the ending pointed out the subject of the paper ,and showed the perfection of xian-quan-you-ye more profoundly creative concept is not only abundant of overtone but let people ruminate incompletely. Implication was profound especially ,It could be called the peak of poetic perfection of grief mood in suffering era .
出处
《内蒙古民族大学学报(社会科学版)》
2004年第2期43-45,共3页
Journal of Inner Mongolia Minzu University:Social Sciences
关键词
易安“愁”
声声慢
意境
弦泉幽咽
Grief of Yi'an
The Sheng Sheng Man
Creative concept
Xian-quan-you-ye