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闽南歌仔戏的文化审视 被引量:1

A View of Play Gezai in South Fujian from the Point of Nation Musicology
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摘要 音乐作为一种社会文化现象,与其所处的文化背景的关系,是一种共生的关系。此体系中每一要素都与他种要素相互间发生关系,并以行为的、物质的、符号的、心理的方式,表现其文化涵义。闽南歌仔戏(芗剧)是沿着中国传统戏剧发展的路径循序形成的一种戏剧形式,它的曲调来自民间,唱词通俗易懂,为群众喜闻乐见。从其孕育、形成和发展的进程看,闽南歌仔戏有着广阔的生存空间。 As a social cultural phenomenon,music coexists with its culture background.Music culture is an adjusted system,in which every element relates to others.It displays its implication by the way of behavior,substance,notation and psychology.From the point of nation musicology,play Gezai in south Fujian(play Xiang) is a kind of play which comes into being with the development of Chinese traditional play Its tune comes from folk and its words are easy to understand.The public love to hear and see this play.Pondering over the process of the gestation,forming and development of play Gezai in south Fujian from the point of nation musicology,the article provides with experiences in order to find a way out and develop play Gezai in south Fujian and broaden its living space.
作者 庄村玫
机构地区 漳州教育学院
出处 《漳州师范学院学报(哲学社会科学版)》 2004年第1期85-88,共4页 Journal of Zhangzhou Teachers College:Philosophy and Social Sciences
关键词 民族音乐学 闽南歌仔戏(芗剧) 音乐变迁 nation musicology play Gezai in south Fujian(play Xiang) music transition
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参考文献3

  • 1[2]刘春署.福建民间音乐简论[M].上海文艺出版社,1986.
  • 2[3]新加坡歌仔戏艺术节研讨会论文选[C].新加坡戏曲学院,1998.
  • 3[4]布莱金.音乐变迁研理论和方法的一些问题[M].人民音乐出版社1987.

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