戏曲艺术精神与戏曲现代化——张庚戏曲美学思想初探

The Artistic Spirit and Modernization of the Chinese Traditional Opera: An Exploration of Zhang Geng’s Aesthetics

戏曲现代化是张庚先生一生戏剧探索的重心。他在长期的探索中 ,逐渐形成了对于中国戏曲艺术具有本质性认识的“剧诗说”。张庚先生对戏曲艺术精神的理解又落实为对戏曲现代戏的理论实践。这给我们的戏曲研究提供了深刻的启示 :程式的继承与创新是戏曲艺术表现形式的关键问题 ;必须重视戏曲艺术的表现内容 ,取舍有间地借鉴科技成果以丰富戏曲艺术的表现手段。

Modernization of the Chinese traditional opera is a focus of Zhang Geng’s life-long exploration of drama. For years, he has evolved his “Drama Poetry Theory” intrinsic to the Chinese traditional opera. Professor Zhang also puts his idea into practice, and from his theory and practice great lessons can be drawn as follows: attention should be paid to the content of opera; inheritance and creativeness of the style are key factors to the forms of expression; and scientific results should be drawn on in order to enrich its techniques.