摘要
本文以《西方音乐史》第四版的中译本为参照系反观第五版和第六版 ,通过阅读获得有关两个版本变化进程的认知 。
Taken the Chinese translation of the Fourth Edition of A History of Western Music as a frame of reference, to observe its Fifth edition and the sixth one, the writers got a cognition of the progression for diversification between two editions, and further more to thinking about the issues of historical writings.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2004年第2期47-52,59,共7页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
《西方音乐史》
格劳特
帕里斯卡
历史写作
版本
中译本
new edition, A History of Western Music, Donald Jay Grout, Claude V. Palisca, Historical writing