纳音原理初探

On the Basic Principle of Na-Tone

纳音一说是传统律吕之学中颇具“核心”意味的一个关键环节。历史上从秦汉至明清有多位学者先后涉猎该论题 ,有过许多重要论述 ,其影响波及到传统文化的方方面面。纳音学说又是一个多年来被忽略的一个冷门课题 ,就音乐史学界或律学界来说 ,作为沿用已久的一个律吕学概念 ,梳理其理论之脉络 ,弄清其概念之内涵 ,既是律学界及音乐史学界责无旁贷的份内之事 ,又是影响波及周边学科的边缘课题。因此 ,重新认识“纳音”一说 ,对于如何理解古人律吕之学及相关理论 。

It is said that the Na-tone was a key link with the meaning of nucleus in traditional Lulu theory. There were a lot of scholars dabble in this issue in the history, from Qin-Han to Ming-Qing Dynasties, and a quite number of works to influence all aspects of the traditional culture. The doctrine of na-tone also was a branch of learning that receives little attention in many years. For the circles of music history or musical temperament, as a conception of lulu continue to use, it is a duty and issue related to the other subjects that to definite the connotation of its conception and organized the theoretical sequence of ideas. To re- recognize na-tone is an important link to comprehend the Lulu theory in the ancient time.