摘要
中国人物画自二十世纪初开始,在先贤们的积极引领下,给过于文弱、孤芳自赏的文人画以巨大的观念冲击,在发掘生活中的动人之处显现出了前所未有的表现力。水墨人物画家黄羡重技法,更重人性的表现。他从书斋观赏艺术中走进生活绘画,善于从生活中发现美。他的水墨人物画循乎自然,氤氲万象,清丽婉约,怡人心致,在视觉上和心灵上都深深吸引并打动着观众。
From the beginning of the 20th century, and with the active guide of the older generation, Chinese figure painting had a great change from theview of previous literati painting which was too weak and too self-approbational, and had displayed more expressive and touching than ever indescribing the lives. Mr. Huang Xian, a figure painter with ink and water, focuses not only on his techniques but also on expressions ofhumanity. Coming out from his narrow study, he is good at finding the beauty of the life. And his works of figure painting, following the natureand the humanity with fresh and graceful description, would deeply touch his viewers, both in visual and in spirit...
出处
《艺术探索》
2004年第1期26-27,共2页
Arts Exploration