从《三国演义》的人物类型看罗贯中的悲剧美学思想

An Exploration into Luo Guanzhong's Tragic Aesthetic Thought From the Various in Characters The Romance of the Three Kingdoms'

罗贯中尽艺术表现之能事 ,在《三国演义》中全力塑造了众多不同类型的典型形象 ,并由此生动地展示了中华民族的悲剧历程。《三国演义》堪称中国古典悲剧的典范 ,其中所蕴涵的悲剧美学思想 ,既是中国古代悲剧艺术理论的重要组成部分 ,也对尔后中国悲剧的创作产生了重要影响。

Luo Guanzhong shows his outstanding artistic talent in creating various typical characters in The Romance of the Three Kingdoms' and vividly exhibits Chinese tragic development. The Romance of the Three Kingdoms' is the incarnation of Chinese classic tragedy. The tragic aesthetic thought embodied in it is an indispensable part in ancient Chinese tragic artistic theories and has great impact on later Chinese creation of tragedies.