祛累与主体性的升扬——汉魏六朝文人艺术化生命状态研究

Dispelling of"Lei"and Sublimity of Subjective Quality ——Study on the Condition of the Artistic Life of the Scholars in Liu Chao Dynasty

累是产生于道家的一个观念。中古时期,由于玄学、佛学的流行,使之得以强化。累的被感知,激发了当时文人祛累的追求。其重要的表现,一是通过诗文,对祛累表现出畅想;另外,文人们的这种努力又表现为个性的凸显。具体到祛累的途径,包含有佛、道之以理遣累,而最为文人崇尚的具有审美意义的途径则是寄托。在祛累的追求里,中古文人的主体性得到极大的升扬。

Lei'is a conception coming from Taoism. It was strengthened because of the popularity of the Metaphysicals and the Buddhism in the mid-ancient times. The recognition of'lei'made the scholars seek to getting rid of it, the important reflections are the followings: one is the imagining thought of dispelling'Lei'through the poems and articles, the other is the pursuit of their personalities. The specific approaches include dispelling'Lei'by reasons of Taoism and Buddhism. The aesthetic one favored by the scholars is the sustenance. In dispelling'Lei', subjective qualities of the scholars in the mid-ancient time are greatly sublimed.