摘要
80年代以来,随着党对文艺政策的重新调整,文学创作实现了"人"的复归。随着改革开放的进一步深入,西方文化重新传入中国,文学批评亦不例外。当时中国的社会文化背景使中国文艺批评急于追赶"现代性",一时呈现出众语喧哗的局面,从而使80年代文学批评具有了特殊的重大意义,然而,浮躁是这一时期文学批评的共同特征。进入90年代之后,文学批评成为个人话语言说的舞台,这表明了文学批评开始走向成熟。同时,这一时期的文艺暗伏着一股文化生态失衡的潜流。这一问题必须引起人们的警惕,从现实意义上来说,它是我们迈入21世纪必须解决的重要课题。
Since 1980s, with the Party's readjustment to the policy of literature and art, literary creation returns to humanity. With the depth of reform and opening, western cultures come into China as well as literary criticism. In this condition, the cultural background pushes Chinese literature and art to pursue the'modernism',hence the various clacking situations, which gives a special meaning to the literary criticism of 1980s. However, Impulsiveness was the common feature of that time.When the history came into1990s, literary criticism has become the stage of personal expressions. Meanwhile, the literature and art of this time revealed the unbalance of cultural ecology, which causes people's awareness. This is the important question for us to solve when we enter the 21st century.
出处
《廊坊师范学院学报》
2004年第1期77-80,共4页
Journal of Langfang Teachers College