摘要
庋藏于故宫博物院的明代漆器是国内收藏之最。作者利用在故宫文物库房工作的有利条件,用十几年的时间,将故宫及世界各地博物馆、私人收藏的明代官造漆器的款识,特别是对伪款的类型进行排比与研究,去伪存真,试图解决明代官造漆器中真假款并存的问题,为深入研究明代漆器的专家学者提供参考。
The Palace Museum has China' s richest collection of Ming dynasty lacquer wares. On the basis of his work over more than a decade in the storerooms of the museum, the author has been able to make a study of the marks on these lacquer wares and to compare them with marks on lacquer objects made by the Ming dynasty Imperial Workshops in international and private collections. He identifies those marks which are forged and helps resolve the question of the coexistence of forged and genuine Imperial Workshop lacquer articles for scholars studying Ming lacquer.
出处
《故宫博物院院刊》
北大核心
2003年第6期73-81,共9页
Palace Museum Journal
关键词
明代
漆器
御用监造
款识
伪款
文物鉴定
Ming dynasty
Imperial Workshop
lacquer ware
marks
forged marks.