摘要
题壁是书写传播时代的审美化大众传播。唐代驿站题壁诗的创作主体主要是文人,也有皇室人物、良家妇女等,作为传播主体,他们往往也是主要的受众;驿站题壁诗的主题主要有羁旅行役、感物即兴、怀古伤逝、留言寄情等类型。驿站题壁诗记录了唐代文人的行旅生活,表现了他们漂泊流离的游子心态、体物入微的诗人意趣和积极入世的士子情怀。
Inscriptions on the wall is the aesthetical mass media of the writing media times. The writter to create wall-scribed poems in the posting stations of the Tang Dynasty was mainly the men of letters, plus members of royal families and respectable women, and the like. As communicator, they were often the receivers themselves. The main topics of wall-scribed poems in the posting stations mainly include staying long in a strange place and going fighting, being impromptu moved by surroundings, recalling antiquity and mourning the death of someone, giving expression to someone's feelings by leaving a message, and the like. The wall-scribed poems in the posting stations have recorded the traveling life of the men of letters in the Tang Dynasty and reflected their state of mind of wondering life, the interest and charm of observing objects in a subtle way as well as the feelings of active participation in the world.
出处
《浙江海洋学院学报(人文科学版)》
2004年第1期30-34,50,共6页
Journal of Zhejiang Ocean University(Humane Science)
关键词
驿站
题壁诗
传播主体
传播媒体
审美观照
posting stations
wall poems
communicator
mass media
aesthetical view