摘要
属对者造语之则也,推其本法一气贯通之理、阴阳正反之道,言其用则属辞类合之则、而遣字巧构之工也。其为法也,要在工稳的切而妙合自然;其为格也,概以字形音义之运用精巧。古者作诗不离偶对,而其论之也夥矣。今且遍检群籍,悉为梳理;于兹商酌众说,略有发明。虽不免饤饾琐屑之失,庶不堕渺茫虚廓之道也。
As a rule of sentence-making in classical Chinese verse, antithesis has its philosophical basis,
which is manifest in the principle of thorough connection and exquisite combination of 'yin', 'yang',
positive and negative sides. The employment of antithesis rests with the superb combination of various
lexemes while its various forms result from the ingenious use of Chinese characters in terms of sound.
form and meaning. The key to antithesis lies in its orderliness. stability and naturalness. On the strength
of extensive evidences and meticulous classification, this paper aims to probe into antithesis profoundly.
关键词
自然
工切
正反
假借
平侧
naturalness
orderliness
positive and negative
make use of
parallel and flank
