摘要
作为宋词的结束期,南宋遗民词是特殊时代的产物,由于受到新朝统治的压制,遗民词人们不能大胆地在创作中表露自己的心迹,只能以隐晦曲折的方式流露自己的人生价值观和根深蒂固的民族情绪。在词体创作几乎是难以为继的情况下,他们借叙景咏物传达悲苦凄婉的身世,以婉约的方式抒发亡国之痛和故国之思,这不仅维护了词体的本色,同时也使词人们强烈的情绪和民族自尊感具有更深远的思想价值和审美意蕴。
As the last creating period of Songci, the writting of the surviving adherent of Nansong was the result of special times. The writer who was the surviving adherent of Nansong can not express their real feeling boldly but reveal their living values and deep-rooted national motion by veild and roundabout ways in the condition of uncontinuous writing of Songci . They depended on the sight and scenery to reveal their unfortunate life experience and missing of native land . This way not only kept the characteristics of Songci but also strengthened the thinking values and aesthetic implication of creating of the surviving adherent of Nansong.
出处
《西北第二民族学院学报（哲学社会科学版）》
2004年第2期120-124,共5页
Journal of The Second Northwest Institute For Ethnic Minorities(Philosophy and Social Science)
关键词
南宋遗民
时代巨变
审美
意象形态
the surviving adherent of Nansong
the great change of ages
aesthetic
imagery
