摘要
当代绘画艺术语言界限逐渐模糊的今天，水墨画作为中国传统文化的一部分，与西方绘画保持距离和相对的独立性是可贵的。灰而，时代的发展与推进，水墨画也逐步立性是可贵的。然而，时代的发展与推进，水墨画也逐步从少数文人精英画中解脱出来，将时代性、民族性的本士代意识融合于了外来文化。
Chinese Monochrome is released from the elite paintings donated by a few literati little by little with the development of the time and takes on multi-level tendency, which shows the prosperity of Chinese monochrome and multi means of art
出处
《东南文化》
2003年第8期92-94,共3页
Southeast Culture
