摘要
先秦的审美心境论 ,分析了审美主体内心情绪状态的特征及其在审美活动中的作用 ,提出了“虚静”与“心适”论。“虚静”是指审美主体应排除内心杂念 ,忘却外界甚至自己。“心适”
This paper analyzes the character of the mental state of the aesthetic subject and its function in the aesthetic movement and put forward the theory of 'Xujing' and 'Xinshi'. 'Xujing' requests that the aesthetic subject should get rid of the random thoughts in the heart and neglect the out world even himself. Meanwhile, 'Xinshi' analyzes the influence of the aesthetic subject to the aesthetic movement.
出处
《中国社会科学院研究生院学报》
CSSCI
2004年第2期114-114,共1页
Journal of Graduate School of Chinese Academy of Social Sciences