摘要
在中国古代,真正成形的完整的观演建筑并不多,但是具有观演性质的场所却是丰富多样。人类长期的演出实践已经证明光,有合乎物理因素的“观”或“演”的空间是不够的,真正反映戏剧生命力的应该是以人为本的,应讲求心理因素的互动。因此,从观演空间的原型出发,寻找出剧场建筑的真正生命力,从而弘扬观演空间在城市与社会中的地位是很有必要的。
In ancient china, there were very few mature architecture for performance and spectating. However there existed various places with such a function. It has been proved that it is far from sufficient to have a space which is only physically available for spectating and performance. A space which can truly reflect vitality of a play should be anthropocentric, and attach due importance to the interaction between psychological factors. Therefore, it is highly necessary to explore the vitality of spectating architecture from the perspective of the archetype, so as to promote its position both in the cities and the society.
出处
《工程建设与设计》
2004年第4期44-45,共2页
Construction & Design for Engineering
关键词
人性化
观演空间
原型
humanness
space for spectating and Performing
archetype