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复仇报怨母题与唐代豪侠精神

The Revenge Motif and the Dramatic Romance in Tang Dynasty
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摘要 唐代文化精神中,豪侠精神与恩仇伦理形成了会通融合,具有唐代自身的系统性、开放性并初具类型,更加细密化。唐代血亲复仇主体身份,更加具有平民化倾向,被当作艰苦卓绝、百折不挠的正面形象讴歌。唐人开始认真地看待复仇的正反两方面社会意义,较为从理性上思考私自复仇对于个人和社会的影响。唐人写狐精报仇故事,一般都具有豪迈粗放的喜剧色彩和幽默感。唐人还生发出更为复杂的马报仇故事,突现出对于人马恩遇关系的进一步理解。 In the cultural spirit of Tang Dynasty,the dramatic romance and the revenge spirit are integrated as a whole.It has its own features of systematicness and openness.The heroes in the vevenge motif are always ordinary people and are considered and admired as strongwilled and brave characters.People in Tang Dynasty began to take seriously its positive and negative social significance,and consider carefully and rationally the influence of personal revenge upon the individual and the society.For example,there is a heroic comedy and a sense of humor in the story of fox spirit revenge;and there is a better understanding of the good relation between horse and man in the more complex story of the horse revenge.
作者 王立 金红华
出处 《湖北民族学院学报(哲学社会科学版)》 2004年第2期71-76,共6页 Journal of Hubei Minzu University:Philosophy and Social Sciences
关键词 复仇主题 唐代文化 豪侠精神 马文化 主题学 revenge theme the culture of Tang dynasty dramatic romance the horse culture thematology
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参考文献4

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  • 4王立.《阅微草堂笔记》的复仇主题略论[J].明清小说研究,1991(2):128-138. 被引量:5

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