摘要
中国古典美学中的感兴说指的是艺术创作中的灵感兴发现象。与西方文艺理论中的灵感说大不相同,它包括五个方面。其一,灵感兴发的神秘源泉:体道通神;其二,灵感兴发的诱因和物质载体:自然万物;其三,灵感兴发的主体状态:葆真全性,回归自然;其四,灵感兴发的主观条件:凝神、妙悟;其五,灵感兴发的本质涵义:天人感应天人合一。所有这五个方面,无不基于道家和禅宗哲学思想。
The phenomenon of inspiration in literature or art creation is the study object of the theory on inspiration in Chinese traditional aesthetic,which differs greatly from Western viewpoint that inspiration in art or literature creation is initiated by gods in the aspects,including mysterious resource,reason and material vehicle,subjective situation,and essential meaning of inspiration initiation.All the aspects above are based on Daoist and Buddhist philosophy thoughts.
出处
《江西教育学院学报》
2004年第2期66-72,共7页
Journal of Jiangxi Institute of Education
关键词
感兴说
道家文化
禅学
主体状态
艺术创作
灵感
古典美学
文艺创作
resource of inspiration
reason
vehicle
subjective situation
subjective factors
essential meaning
relation with Dao and Buddhist
